Win a Deadly Goodie Bag worth over £175

To be in with the chance to win a Deadly Goodie Bag worth over £175 just post a piccy of you in your favourite purchase from Deadly is the Female on our Facebook page.


Goodie Bag includes...
Lux De Ville Bag
Leg Avenue Hold Ups
Bessame Lipstick
Rosie Fox Jewellery and Hair Flower
Crumpet & Skirt Greetings cards
Deadly is the Female pocket mirror
and more...

Just your average handbag contents then!

Your photo can be of a whole outfit, just a dress, a pair of shoes, handbag, necklace, hat or even your favourite besame lipstick whether you boughtit last week or last year!

We welcome entrys from anywhere in the world and can't wait to see your photos!

We haven't yet set a closing date but will keep you informed and post reminders when the date approaches. We've had some fantastic photos already & can't wait to see more!

Any questions please e mail us at info@deadlyisthefemale.com

Thanks


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Burlesque Peformers of the South West - Part 2

In the second part of our Burlesque Performers Profiling, we are taking a look at the ever so glamorous and vibrant Geisha Go Disco.

                                              

Geisha please tell us a bit about yourself, your style and what you do.

I'm a burlesque dancer, agent, writer and producer of "Coco Boudoir" and "Geisha Go Disco presents...".  In my performance I use a lot of 1950's bump and grind techniques, fan dancing and tassel twirling but I tend to take a lot of visual inspiration from myths and legends as well as religious iconography.

All of us girls know how important it is to have a great makeup collection, what is your ultimate makeup must have? And why?

A strong, long-wearing foundation to base the rest of your colours on is so important.  I have oily skin with uneven tones so I love MAC Studio Finish and Mineral Powder.


'Burlesque' covers many era's of clothing, which would you say is your favourite era of clothing? And why?

I love skin tight wiggle dresses so probably the mid 50's era.  It just matches my shape!


Have you ever had an Idol? Who was it and why?

I don't have an idol as such.  I admire and take strength from public figures like Queen Elizabeth I, Madonna, Coco Chanel, Sister Rosetta Tharpe, Katie Price and Michelle L'Amour.

Photograph by Bertrand Vessier

How did you come up with your stage name?

GeishaGo Disco was a male, cross-dressing fairy I invented for a dark fairy story I was writing a few years ago.  He was the good guy in a power struggle against his female evil twin, Geisha Go Death.  When my hard drive crashed and wiped all my work, I stole the name for myself.  It symbolises rebellion.




Stockings, all the way.

Photograph by Bertrand Vessier

How did you become involved in the Burlesque scene?

I was going to shows a lot in Melbourne back in 2005/2006.  I was trained in music industry management and, from 2001 onwards, watched the interest turn from rock, punk and metal shows and club nights to more creative and interactive events, including fashion shows and burlesque.

Back then, burlesque shows were produced by troupes that would perform the whole night's entertainment between themselves.  Sometimes it was four girls; sometimes it was up to ten. Sometimes they would do a double act, then some solos while the other girls changed costumes back stage, then end in a full troupe act.

We used to go to shows by Man's Ruin Burlesque, The Voodoo Trash Dolls and Hi BallBurlesque and there was a great mix of classic, neo, fire skills and really obnoxious tassel-twirling cheesecake.  

I planned to start performing back then as part of a double act.  But I decided to move to the UK and didn't end up actually training in Burlesque until 2008.  Burlesque works differently now, both here and in Australia.  There are a lot more solo artists, I guess because there is more competition, girls need to get paid and costumes are so expensive that costs are difficult to recoup in a troupe. 



Where do you get your inspiration from when choreographing a new show?


The 1950's Irving Klaw dancers like Lily St Cyr and Bettie Page are big inspirations, as far as my pelvis is concerned.  I was trained by Venus Noir from Bristol so a lot of her teachings are still present in my more classic movements.  Tuesday Laveau also teaches me a lot about faster, more tribal bump and grind techniques.



Geisha Go Disco performing the Kali Goddess Dance with Tuesday Laveau






Tassels or Pasties?


Tassels!



Is there a particular brand of clothing or designer you prefer to wear?

Actually I just landed an endorsement from my favourite corset designer Heresy Clothing, so I'm really excited about that.  She pads her corsets to make them super tough.  My new one is going to withstand a nuclear apocalypse! Obviously I love Deadly Is The Female too, especially the StopStaring range.  I recently took seven dresses into the change room (chosen by Claudia Kapp) at Deadly Is The Female and I think only one of them didn't suit my shape.



How many pairs of shoes to you own? and which is your favourite?

Not that many! Maybe eight pairs?  My favourites are a pair of red mary-janes my boyfriend bought me for Valentine's Day last year.  I also have a lush pair of glitter gold triple strap mary-jane heels from Vivienne Westwood by Melissa from Mee Boutique in Bath.




What style advice would you give to anyone wanting to achieve the Burlesque look?

Throw all your modern day fashion and posture rules out the window.  Embrace your waist, because modern high street has taught us that our waist is somewhere around our hip bones!   Use a reliable hair spray (you can't go wrong with Tresemme Freeze Hold which a lot of dancers swear by) and back comb your life away!




and finally ...







What other projects do you have in the pipeline? Where can we see you next?


I've got a new act coming up at the end of 2012 which will be my biggest yet.  It's based on a Native American story about the Sun.  I'll be taking some special skill classes to prepare for it.  Also, Coco Boudoir will be hosting a special one-off big Christmas show which we'll be investing a lot more money into and calling in our very best contacts.



Wow, we can't wait to see that act!  Sounds like it’s going to be pretty impressive.  And the Christmas show sounds like it's not to be missed either!


Thank you so much to Geisha Go Disco for taking time out to answer our questions, we'll look forward to seeing more of you in the future.

Next week we will be profiling another of our fantastically talented Burlesque Performers in the South West....stay tuned!

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Burlesque Performers of the South West - Part 1


Here at Deadly is the Female we have decided to pay homage to the wonderful art of Burlesque and this month we will be profiling some of the most talented Burlesque performers in the South West.

By asking a specific set of questions we will be finding out a bit about these very special ladies.

This week the spotlight will be on the enigmatic Fifi Fatale...



Please tell us a bit about yourself, your style and what you do.

My name is Fifi Fatale and I'm a London based burlesque performer.  My performance style is classic, sultry and sensual burlesque inspired by past hedonistic eras and the glamour and indulgence of the 1920's and 30's.  I have been lucky enough to perform on International stages in Italy, Belgium and Ireland as well as across the UK and even the small islands of Jersey and Guernsey!  I am also a regular performer for 'The Tassel Club' at the decadent 'BathHouse' in central London.
My past clients include Universal Films, Renault Clio, Specsavers, a VIP launch of premier nightclub 'The Wright Venue' in Ireland, Bike stuntman Eddie Kid aka 'The Black Knight', the 'London On' film festival and London Fashion Week 2009.
 You can find out more about me and what I do on my website www.fififatale.com


All of us girls know how important it is to have a great makeup collection, what is your ultimate makeup must have? And why?

I suppose it would have to be a good Eyeshadow and slanted brush for eyebrows. I believe eyebrows frame the face. I always fill in and shape my eyebrows before I step out the door!


'Burlesque' covers many eras of clothing, which would you say is your favourite era of clothing? and why?

Well I adore the eras of the 1920's and 30's. I think I would have to pick the 1930's, as the bias cut silk gowns with beautiful draping are really feminine and glamourous.


Have you ever had an Idol? Who was it and why?

I don't really believe in Idols but there are people who I look to for inspiration and influence and there are too many to list!


How did you come up with your stage name?

 I've always been a fan of the women who are the vamps in life, 1920's vamps, the women from 40's film noirs, even the modern day bond girls.  To me they represent strong women with attitude and I wanted a name to represent that and that I felt was an extension of my personality and who I want to be, (at least on stage!)
I think Fatale sums up my performance style - classic, sensual and sultry. I chose Fifi as it wasn't a name I'd heard of much and I like a first and last name to start with the same letter as I feel it has impact, plus it was a name that just felt right for me.


Stockings or hold-ups?

Stockings, always!


How did you become involved in the Burlesque scene?

People always ask me this and yet I can't really remember any specific point that led me to what I do now. I was into the alternative scene anyway and from this fetish and burlesque are interlinked, so I found out about it from there and instantly fell in love with the glamour and escapism of it all.


Where do you get your inspiration from when choreographing a new show?

 
Ah, many places! Art, music, film, fashion and past performers.  My style is more towards the 1920's/30's eras so I take a lot of inspiration from Parisian vamps, Erte, Alphonse Mucha, macabre fairy tales, the folies berge etc.  I have no specific way in which I formulate an act but I feel, for me, music is essential. Sometimes I'll just hear a piece of music and ideas will start coming together in my head. Other times I'll be influenced by some art I've seen and an act will form around that.


Tassels or Pasties?

 
Hhmm I love both. I tend to wear tassels, which doesn't make much sense as I don't tassel twirl!


Is there a particular brand of clothing or designer you prefer to wear?

No. My favourite colour is black though and I'm rarely seen in anything else!


How many pairs of shoes to you own? and which is your favourite?

Many, many shoes! I don't know how many I own. I have a couple of favourite pairs though and they cater to my different interests.  One pair I use for performing, they're 20's style t-bar in dark blue with silver detail (bit difficult to describe without a photo) with about a 4 inch heel, I love them as they look really vintage but were actually from accessorize!   My other favourite pair are really high black patent and snakeskin heels with straps covered in studs. They're very rock and roll!

 
What style advice would you give to anyone wanting to achieve the Burlesque look?

It's easy to find advice on how to style yourself in a classic 1940's/50's way which is so popular with burlesque - victory rolls, hair snoods, red lipstick, high arched eyebrows and cats eyes eyeliner but I would say be true to yourself and don't follow the crowd. Everyone has their own influences and interests and these should come through in the way you dress, that way you have your own style and you'll stand out more.


and finally


What other projects do you have in the pipeline? Where can we see you next?

At the moment I'm performing a lot in London, so you can see me at places like Proud Cabaret and Volupte. However I co-run Coco Boudoir in Bath and our next show is on August 20th. I will be running the night and performing there, so come and see me! I should have another re-vamped act ready to perform by then.



Thank you so much to Fifi Fatale, for her great answers. We hope you enjoyed reading them as much as we did. And we look forward to seeing her at the fabulous Coco Boudoir in August.


Next week we will profiling the very glamorous Geisha Go Disco.


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Free shipping!

From now until Thursday the 14th of July we are offering FREE SHIPPING on all orders over £10!

We aren't going to be able to send things out from now until Thursday, so this is our way of making up this short delay to you!

The shop will be open as usual & on Thursday orders will go out as usual on a Parcelforce next day service so you will have your goodies in time for the weekend!

Free shipping is available anywhere in the world & will automatically be added to all orders of £10 or more until Thursday 14th July 2011

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A Wet and Stormy Artisans Market

On the morning of Sunday 5th June 2011, the heavens opened and thunder and lightning streamed across the sky. But did this stop the people of Frome supporting the events happening in their town that day?......Nope!..... Not at all!


It was a very special day for Frome, as not only did we have the ever popular Artisan Market, the Frome Flea Market's second appearance (and it's proving to be just as popular as the Artisan Market) it was also the third appearance of the fun filled Cheap Street Fair too.

                                                Frome's Flea Market

The Cheap Street Fair is in its third year now and even on a wet and windy day; it was still as busy as ever. This year's happenings at the Beach Themed Cheap Street Fair included beachy rides for the children, like the swing boats, live music, mouth-watering food and from the look of FromeTV's pictures, lots of fun and a few glasses bubbly.


Even, Deadly is the Female's resident poet, the delectable Muriel Lavender, was meandering between the three events. Looking stunning, as usual, Muriel was out promoting the Burlesque Night that is now happening on a monthly basis at Frome's Westway Cinema, organised by the enigmatic and ever so talented Venus Noir.

Here at Deadly is the Female, it was a special day too. Claudia and Gomez were taking a little break so the shop was looked after by the fabulous Tamara Dibsdale and Lolita Noir. It was a busy day for all and a remarkable sight to see so many people out to enjoy all the festivities, even in such terrible weather.




Tamara, dressed in the Sadie Dress in Bows Print, and Lolita Noir, wearing in the Billion Dollar Baby Dress in Black and the Pink Satin pumps, were on top form that day. They welcomed everyone in from the rain, to the fun and cheerful sounds of Imelda May, the Baseballs and maybe a little Britney!

Among the most popular items that day was the Doris Shirt in Black and Red and the Natasha Dress in Cherries. Not to mention the amount of compliments the Summer Dress, that is currently in the window, got.

Once again, the people who supported the Frome Festivities are to be congratulated. They truly made, what could have been a total wash out (pun intended!), a fun filled day.



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1950's Makeup Lesson

A History of 1950's Makeup
(A snippet from the 'Retro Makeup Book')


 

"After the conservative years of WW11 came to an end and the cosmetics industry caught back up with demand, makeup styles took the biggest turn seen to date.  Along with bright coloured kitchen appliences and couches, came bright and shapely makeup, with well defines eyebrows becoming the look of the day"


The base for the 50's style makeup was a foundation cream, creating a pale, mask-like complexion which was topped off by patting on a flesh coloured powder to set it.  Once your base was set, then "slowly, comes the metamorphosis"


The eyebrows of the 1950's were mostly thicker in the inner corner and then tapered out to a clean point.  But they varied in styles; the inner corner could be rounded or squared.  The ascent could be a straight line or pointed to a peak. A gradual rounded eyebrow was very popular, as was straight!  It was customary to take what you had, tweeze it to a clean line and then use a pencil to darken in and possibly thicken.

Next came eyeliner, by the mid 50's the winged/cat eyeliner was a very important part of the decades makeup looks, and that too had many variations, from striking to soft.  The various products on the market included pencil, liquid and gel eyeliner. The possibilities for the wing eyeliner were endless. By changing the length, thickness, flip (wing) and colour, the appearance of the eye and the rest of the makeup changed dramatically.

Lip shapes in the 1950's, for the regular girl, followed the basic shape of the natural mouth, but in Hollywood, they began to customise it! They began to taper the fall from the peak to the outer corner for a droop that almost mimicked a pleasant, innocent smile. Sultry movie stars like Marilyn Monroe and Sylvia Lopez were over-drawing their top lip for a fuller look.

The most duplicated look of the era is Marilyn Monroe's. Her blond 'bombshell' image, complete with sultry red lips and thick eyeliner, is one that has been sought after for many years.


By following these simple steps we will help you capture the essence of the 50's Bombshell look, with her glowing skin and sultry eyes.


                         The Bombshell (Retro Makeup Book p.82)

  • Apply a cream foundation (that matches your skin tone) all over your skin, including eyelids and lips. Then gently pat on a flesh coloured powder that is light but gives a good coverage, like Besame Cashmere Powder Compact (which comes in 2 shades - light or medium. And also has refills available)

  • Next comes the eyebrows, which are essential to define as they frame the face. The high pointed eyebrow of Marilyn is created by first brushing the inner half of the eyebrow up and to the right with a wand coated with eyebrow gel (or clear mascara). The outer part of the eyebrow is combed down and to the right. Then fill in the peak of the eyebrow with an eyebrow pencil like the Masterline Eyebrown Pencil



  • Apply a light, neutral Eyeshadow to the entire eyelid. Then apply a fine layer of a brown colour, like Besame Eyeshadow in Socialite Brown, to the upper eyelid. Be sure to concentrate the colour in the area of the crease of the eyelid.


  • Using a black pencil eyeliner, like the Besame Masterline in Kohl, draw a soft line that begins at the inner corner of the eye and runs along the lash line of the upper eyelid to the outer corner. Draw a small wing out that begins just above the outer corner of the eye. This naturally gives a rise to the appearance of the eyes. If the wing is too low, it makes the eye appear to droop.

  • Add three or four single eyelash clusters to the outer corner of the eye to increase the doe-eyed effect. Finish the eye makeup with a conditioning black mascara, like the Besame 1930's Mascara, one of the most natural mascaras on the market.

  • Use a warm bronzer (the Besame Eyeshadow in Socialite Brown can also be used for this) below the cheek and on the lower part of the apple of the cheek, to add contour. Always blow on the brush to dispel some of the powder before applying it, otherwise you'll get a mass of colour which will look unnatural and be hard to blend. You can always add more colour, but it's harder to take it away.

  • Use a warm shimmer cream to add highlight on the temples and upper part of the cheek bone. Marilyn Monroe’s makeup often had a glimmer to it that gave her a healthy sun-kissed glow.

  • The Hollywood Bombshell look wouldn't be complete without glamorous red lips!  Lips are over-drawn to give the appearance of fullness (obviously if you already have full lips you don't need to do this) and the upper lip is given a full round cupids bow. You lips should already have foundation and powder on, this helps to prolong the lipstick and create a blank canvas for you to work with.   Use a dull point lip liner in a shade that matches your lipstick - for instance, if you're using Besame Red lipstick then you would use Beseme Masterliner in Red - Draw the desired lip shape and then fill the lips with the same liner.   Apply a luscious red lipstick, like Besame Red lipstick. Cover your lips entirely. You can use a brush if you find it easier. Carefully clean any difficult edges or smudges with foundation and a cotton bud. Lastly lightly sweep a light coloured (white or cream) matte Eyeshadow around the bottom lip and the cupids bow, blend. This really makes the lips pop.


For more advice on how to acheive 'Retro Makeup', check out the 'Retro Makeup Book' by Lauren Rennells, sold at Deadly is the Female  (this book is currently out of stock but we will be getting more copies very soon)




Words (in Italics) and photographs taken from the 'Retro Makeup Book' by Lauren Rennells


Additional makeup tips by Lolita Noir - Vintage Hair and Makeup artist www.lolita-noir.moonfruit.com


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Deadly is the Female at the BAFTAs 2011

One of our customers was lucky enough to be invited to the BAFTA TV awards and she chose to wear her Billion Dollar Baby dress from Deadly is the Female. Here is Mina's story...

Hi there Deadly Females!
What a night! Did I dream it or was I actually at the BAFTA t.v. awards ceremony on Sunday? Well the girl on the photo bears a striking resemblance to me so, yeah, I was there - dressed to kill in my smoking red Billion Dollar Baby dress Thank you God for providing me with the necessary tool to bag me a hottie - a killer dress!
I'm a t.v. scriptwriter and member of BAFTA so I'm fortunate enough to be allocated tickets for one  of the most  happening events of the year. This year was to be no exception - held at The Grosvenor House Hotel on Park Lane, London.  Dead posh, as we say in Liverpool.  If the loo paper is still hanging in the right place and not strewn all over the ladies' toilets,  then we're talking real class.
My dress was unbearably close fitting - skin tight, in other words, 'I daren't eat or breathe' tight and to keep the bulges at bay the obligatory spanx reinforcement underwear with extra butt padding was needed to give me that J-Lo full arse effect!  Without it, arse around my knees was not exactly a pulling credential!
Breathing was going to be difficult but hey that was the last of my worries!   My Spanx underwear was now virtually impossible to remove for calls of nature.  I had no other choice but to strategically cut a slit in the crotch area to enable the probable eventuality of needing the ladies - a must,  given to the alcoholic excesses of the evening.



The red carpet was crammed to the rafters with paparazzi desperate to not take my photo!  After all, who was I - an unknown, a disposable triple z lister with no scandal qualities, in other words, a non TOWIE!  Still it gave me the chance to star spot and an array of household names sauntered past, hesitating momentarily to sign autographs for their adoring fans.  Jim Broadbent, Trevor McDonald and Phillip Schofield, the cast of Downtown Abbey,  Coronation Street and Eastenders all paraded past, unaware that the lady in red was about to collapse at any moment due to lack of oxygen!
The champagne reception was held in a decadently decorated reception hall and as I descended the luxuriously carpeted stairs, flanked by security and waiters, the importance of the event started to dawn on me. The array of men in black were a pleasure to behold and I realised at that moment that God was indeed a woman and I thanked her for such a wonderful display of male beauty.   Black suits, white shirts, black ties adorned fit, muscular bodies and yet - they all eventually morphed into one, a swamp of varying shades of black, leaving us ladies to add a touch of colour and glamour to compensate for the guys' drabness!   Had I unintentionally gatecrashed a Reservoir Dogs convention perhaps?  Some of The Reservoir Dogs glanced me up and down, admiring glances because of my Billion Dollar Baby dress or had I already started to turn a mild shade of blue?   I wandered or dare I say wiggled around,  as by now, walking had also become an additional hazard.  Still, in my head, it looked sexy and that's all that mattered!!  I pretended  I was looking for someone, all the while keeping my radar fully tuned for any passing eye candy. 


Champagne reception over, we were herded into the main ballroom, where the tables were beautifully decorated and adorned lovingly.  So much cutlery.  So little time to learn what to do with it all!  Now for  the presentation of the BAFTAs.   I was seated on the balcony and unfortunately an enormous chandelier dominated our view.  Thankful for the chance to stand before my dress popped open, a la Judy Finnigan, I wiggled my way to the balcony where I had a first class view of the evening's proceedings.  Nominations were read and the 'unhappy' losers managed to force a semblance of a smile, while an enormous 10 inch lens was stuck firmly in their faces, desperate for a sob or a 'bastard - why did he get it'.  Instead, they clapped lethargically, successfully hiding their seething   jealousy at the 'deserving' winners.   I swore that if I was ever nominated for a BAFTA and didn't win, I would give the cameras exactly what they wanted - a hysterical melt-down of tears!
Obviously, The TOWIE (The Only Way is Essex) gang stole the show!  The Essex mob had won the  Utube audience award for best serial drama. They were understandably ecstatic and responded the Essex way. Amy Childs looked immaculate but sounded like a train crash tragedy, squeaking and squealing, adding the show's catch phrase, 'Oh Shut up!' to end the most eloquent speech of the evening.  Nelson Mandela eat your heart out!!!  Were the Industry audience applauding with embarrassment or genuinely pleased that top drama Downtown Abbey had been thwarted by non-actors playing themselves?   Were they laughing with them or at them?  The TOWIEs didn't care.  Non-actors they may be, but they were going home with their own BAFTA!
At last food!  I'd already devoured the BAFTA chocolate figure, the one that I was going to treasure for the rest of my days and I prayed to every God available for the speedy delivery of anything remotely edible!  Crab starter, chicken and a selection of desserts filled a gaping hole as the zip on my dress began to lose the will to function.
The after party was a huge hit and went on until the early hours!  The ballroom was big enough to cater for the many guests who, by now were all pissed!  Yet, they all still managed to look glamorous while us mere mortals had begun to slowly wither!  How on earth did they manage to do that?  Did they have a secret army of make-up artists hidden in the wings to reapply make-up and fix hair? Hmm, I wonder.
I danced the night away with a variety of celebs from Downtown Abbey and other hit shows that I hadn't heard of!  The highlight of my evening was meeting and chatting to the most gorgeous German actor on the planet!  Ladies, google him if you dare!  Ken Duken.  Not of the Dukan diet fame!  That's Dukan with an 'a' not with an 'e'!   But I'm sure The Duken diet I'm picturing would be a much more entertaining way of losing weight,  If you get my drift!!   He was sublime - made my evening, my week, my decade infact! But, as always, he was married! Never mind. Still, a girl can dream, can't she?
The event ended at 3.00 am and we stumbled out with the dregs. A few sad press guys still hung on desperately to see if any celebs were still there. At this point they weren't fussy - anyone would do!  I informed them that the event was now celebless, but all was not lost. As some small compensation for their disappointment, I would allow them to take my photo! Why they were laughing I don’t know, but good-humouredly, they obliged  this crazy inebriated Scouse lady! So for one brief moment, in my Billion Dollar Baby dress, I posed and pouted, living the fantasy that I too was a hot A lister!!
Can't wait for next year!!! Same again TOWIEs? You betcha!!

Mina Parisella

We'd like to say a huge thank you to Mina for sharing her adventures with us!

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